"Another Earth", a story of passage to adulthood as an improbable mix mournful drama with romantic nostalgia and science fiction, long out, a young woman, Rhoda (Brit Marling), moves with the arrest of his former room the family home, like a stranger. After a brilliant 17-year bound for MIT, which had taken a turn disastrous when drinking and driving, a detour that sent him to jail. Alcohol, youth and stupidity caused the accident, while his distracted gaze time on a newly discovered planet
Four years later, surrounded by symbols of a past life, like a mobile of the planets, Rhoda stays in his room, surrounded by the network's childhood background, a reminder of their pre-ordered life and probably a nod to SETI or Search for Extraterrestrial Intelligence. Grid or distributed computing is that the power of SETI @ home, a move that creates a virtual supercomputer to participate idle computers around the world to analyze the data for the SETI project. SETI connection also explains why the filmmakers used astrophysicist Dr. Richard Berendzen (author of "Pulp Physics") to provide the melodious voice, which winds through the movie, prompting speculation about life beyond the horizons of our planet Rhoda while walking alone in a world that became a foreign hand.
A story of second chances, parallel lives (inside and outside the network at all) and make the most creative of a modest production budget, low-resolution digital photography, "Another Earth" was produced by Mike screenplay with Ms. Cahill . Marling. quiet and modest in size, occurring mainly after the release from prison of Rhoda. removed, apparently without friends, he returned to live with his mother, father and brother, who were hovering over her with a hopeful smile. Establishing a new bedroom in the attic, away from his family and close to the star and takes a job as a janitor at the school, where the borders of the braid under a hat and carries a broom next to a man's gnomic Purdeep age (Kumar Pallas).
Although the name sounds too Purdeep on the nose, and it is a vanity of a character, despite the presence Mr. Pallan is friendly, the old man gives a touch of heat required Rhoda. Often silent, with large frightened eyes, she begins as a mystery that the filmmakers do not rush to resolve. Tragedy and probably has hindered the prison and left her in an effective lock. It begins to open his personality and makes the story after she approaches John Burroughs (William Mapother), a musician whose life it close and all the ruins, but when she plowed her car into his, killing his wife and young son. Living a life of almost total isolation, John invites into his house without knowing she was a minor.
Over time a relationship develops between them, there is credible and emotionally almost designed to operate. This is what it does is largely due to the leads, lots of room given by Mr. Cahill, and because of the characters who are revealed to us just as they discover each other. Mr. Mapother, familiar with "In the Bedroom," among other films, and Ms. Marling, relatively new, make a good fit awkwardly at first. Used to live inside their heads and not with other people, their characters are initially physically awkward around each other. They are given to steep, gestures hesitant and erratic movements, as if they forgot how to sit with other people. Speaking is more difficult.
Scene after scene, although they let slip constructed sentences and gradually throughout the interviews. Foreigners are suggesting that their lives and the story gently turning and twisting. Because the existence Rhoda seems almost unbearable, which feeds both his home invasion - she tells John she works for a cleaning service - and mounting concern with the strange planet. The second Earth, hovering, sometimes weaving Rhoda more like a promise may be science fiction. But the idea that there is another life, better elsewhere - on the other side, on the road, in space, inside our heads or in the embrace of another person - is the very human belief, which keeps things Looking up and down to earth.
Four years later, surrounded by symbols of a past life, like a mobile of the planets, Rhoda stays in his room, surrounded by the network's childhood background, a reminder of their pre-ordered life and probably a nod to SETI or Search for Extraterrestrial Intelligence. Grid or distributed computing is that the power of SETI @ home, a move that creates a virtual supercomputer to participate idle computers around the world to analyze the data for the SETI project. SETI connection also explains why the filmmakers used astrophysicist Dr. Richard Berendzen (author of "Pulp Physics") to provide the melodious voice, which winds through the movie, prompting speculation about life beyond the horizons of our planet Rhoda while walking alone in a world that became a foreign hand.
A story of second chances, parallel lives (inside and outside the network at all) and make the most creative of a modest production budget, low-resolution digital photography, "Another Earth" was produced by Mike screenplay with Ms. Cahill . Marling. quiet and modest in size, occurring mainly after the release from prison of Rhoda. removed, apparently without friends, he returned to live with his mother, father and brother, who were hovering over her with a hopeful smile. Establishing a new bedroom in the attic, away from his family and close to the star and takes a job as a janitor at the school, where the borders of the braid under a hat and carries a broom next to a man's gnomic Purdeep age (Kumar Pallas).
Although the name sounds too Purdeep on the nose, and it is a vanity of a character, despite the presence Mr. Pallan is friendly, the old man gives a touch of heat required Rhoda. Often silent, with large frightened eyes, she begins as a mystery that the filmmakers do not rush to resolve. Tragedy and probably has hindered the prison and left her in an effective lock. It begins to open his personality and makes the story after she approaches John Burroughs (William Mapother), a musician whose life it close and all the ruins, but when she plowed her car into his, killing his wife and young son. Living a life of almost total isolation, John invites into his house without knowing she was a minor.
Over time a relationship develops between them, there is credible and emotionally almost designed to operate. This is what it does is largely due to the leads, lots of room given by Mr. Cahill, and because of the characters who are revealed to us just as they discover each other. Mr. Mapother, familiar with "In the Bedroom," among other films, and Ms. Marling, relatively new, make a good fit awkwardly at first. Used to live inside their heads and not with other people, their characters are initially physically awkward around each other. They are given to steep, gestures hesitant and erratic movements, as if they forgot how to sit with other people. Speaking is more difficult.
Scene after scene, although they let slip constructed sentences and gradually throughout the interviews. Foreigners are suggesting that their lives and the story gently turning and twisting. Because the existence Rhoda seems almost unbearable, which feeds both his home invasion - she tells John she works for a cleaning service - and mounting concern with the strange planet. The second Earth, hovering, sometimes weaving Rhoda more like a promise may be science fiction. But the idea that there is another life, better elsewhere - on the other side, on the road, in space, inside our heads or in the embrace of another person - is the very human belief, which keeps things Looking up and down to earth.
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