Jesse Eisenberg follows his Oscar-nominated performance in the social network with the character of Nick, which offers pizzas for a living. Nick is like friends with Chet (Aziz Ansari), a substitute teacher, although both have huge personal problems with others. Nick is called to a delivery to two stupid idiots Dwayne (Danny McBride) and Travis (Nick Swardson), a belt bomb to Nick and tell him he should receive $ 100 000 in 10 hours. Dwayne needs money to pay a hired murderer to kill her millionaire father Dwayne is a loser. Nick talks about Chet somehow complicit in the crime.
Fleischer Zombieland follow-up is not a complete stylistic departure from the horror zombie / comedy, funny, at least in relation to the nature of comedy. 30 minutes or less is similar to, although serious and violent things happen, there is still light in tone, the heart of the case. Visually, this film is very different from Zombieland because the different perspectives of the world and the desert city are gone and things have been simplified to 'or machine, with a limited number of shares. And 'better, because the simplified formula, but also incomplete for various reasons.
The simplified approach of audiovisual works for the movie, but half of the plot elements that do not flatter the 80-minute short runtime. It is the relationship between Nick and his sister Chet, history of tense relations between Nick and Chet, where each one has done or said things morally questionable that have affected the other, the relationship between Travis and Dwayne, Dwayne and his father Dwayne and a stripper and a connection to a murderer Dwayne. Of course, all this packed into a fast-paced film several of them suffer in terms of its relevance to the film. Everything is technically worked on the film in a satisfactory manner, but none of them stay and make a ring as a memorable relationship.
Danny McBride, and Aziz Ansari are two of the most entertaining characters in the film. McBride is confident, strong, and every other word out of his mouth has to do with some kind of oral sex. Ansari says the complete only obvious, but in a completely sarcastic and animated, but also in comedy to squeeze even the most boring moments. Eisenberg has a certain charm, but do not come across as a likeable and charismatic than we have previously seen. Nick Swardson and Fred Willard are, are just very Nick Swardson, and Fred Willard.
The pieces go for 30 minutes or less when it seems that the actors improvise their lines to appear. I could be completely wrong and followed the script word for word, but there was a time when the biggest laugh of the moments he was illegal without a script. There are plenty of jokes and well organized streams if it's just that there are sectors that feel forced and not fully expanded. Another shortcoming of the film are some seriously strange scenarios that are obviously created to make people laugh (and do), but the constant changes in the wacky comedy to action for those times back in the comedy inconsistencies and making it almost impossible to establish a connection to any character or a moment in the film.
30 minutes or less is a formula that mimics the movie cop friend, but here are two movies, a guy stuffed into one. And 'the record and is low in the positive side, I'm happy when I saw a lot of pleasure in an absurdist comedy. The writing does not seem to have been invented during the night, riffing Celebrate with friends and the greatest possible number of strokes the penis and vagina as you might think, but the result was down more than necessary. Aziz Ansari and Danny McBride is fun and Jesse Eisenberg certainly gives the movie more energy, but no one gives you 30 minutes or less I feel the extra boost it needs. Ruben Fleischer comedy is not as impressive as his debut, but it's a lot of laughter, which is perfectly watchable movie.
Fleischer Zombieland follow-up is not a complete stylistic departure from the horror zombie / comedy, funny, at least in relation to the nature of comedy. 30 minutes or less is similar to, although serious and violent things happen, there is still light in tone, the heart of the case. Visually, this film is very different from Zombieland because the different perspectives of the world and the desert city are gone and things have been simplified to 'or machine, with a limited number of shares. And 'better, because the simplified formula, but also incomplete for various reasons.
The simplified approach of audiovisual works for the movie, but half of the plot elements that do not flatter the 80-minute short runtime. It is the relationship between Nick and his sister Chet, history of tense relations between Nick and Chet, where each one has done or said things morally questionable that have affected the other, the relationship between Travis and Dwayne, Dwayne and his father Dwayne and a stripper and a connection to a murderer Dwayne. Of course, all this packed into a fast-paced film several of them suffer in terms of its relevance to the film. Everything is technically worked on the film in a satisfactory manner, but none of them stay and make a ring as a memorable relationship.
Danny McBride, and Aziz Ansari are two of the most entertaining characters in the film. McBride is confident, strong, and every other word out of his mouth has to do with some kind of oral sex. Ansari says the complete only obvious, but in a completely sarcastic and animated, but also in comedy to squeeze even the most boring moments. Eisenberg has a certain charm, but do not come across as a likeable and charismatic than we have previously seen. Nick Swardson and Fred Willard are, are just very Nick Swardson, and Fred Willard.
The pieces go for 30 minutes or less when it seems that the actors improvise their lines to appear. I could be completely wrong and followed the script word for word, but there was a time when the biggest laugh of the moments he was illegal without a script. There are plenty of jokes and well organized streams if it's just that there are sectors that feel forced and not fully expanded. Another shortcoming of the film are some seriously strange scenarios that are obviously created to make people laugh (and do), but the constant changes in the wacky comedy to action for those times back in the comedy inconsistencies and making it almost impossible to establish a connection to any character or a moment in the film.
30 minutes or less is a formula that mimics the movie cop friend, but here are two movies, a guy stuffed into one. And 'the record and is low in the positive side, I'm happy when I saw a lot of pleasure in an absurdist comedy. The writing does not seem to have been invented during the night, riffing Celebrate with friends and the greatest possible number of strokes the penis and vagina as you might think, but the result was down more than necessary. Aziz Ansari and Danny McBride is fun and Jesse Eisenberg certainly gives the movie more energy, but no one gives you 30 minutes or less I feel the extra boost it needs. Ruben Fleischer comedy is not as impressive as his debut, but it's a lot of laughter, which is perfectly watchable movie.
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